Persephone in Washington
by Sarah Avery
Persephone's Life as a Mortal Woman
Full summer, and I'm living in the cool
Green shadow of a sprawling park. The creek
Sings something through my window all night long.
Mornings, I answer telephones in the gray
World, pretty appliance at the desk, and hide
Within my secretary clothes a jewel
Of guilt and awe, uncertain what it is,
Hard, red, and beautiful in its puzzling way.
I don't remember where or how I found it.
I take my evening jog and stretch among
The mosses in the park. I catch the news
And fall asleep, forgetting what they say,
And dream sometimes of a dangerous broken rule,
Something I've forgotten or done wrong.
At the Office Blood Drive, Persephone Sees
Momentarily into the Underworld
I forgot. Was that my spring, my blessing?
I see the bead of blood, the seed of promise,
Someone else's promise. Whose? The ball
Of blood in rubber wrapping mocks me, bright
And firm, a fluid pomegranate. On
The soft of my arm, the seed's red ghost, a call
To what I had forgotten. Now I see
The contract's awful terms. The nurse's light
Touch on my forehead, her concern, fade
Into unreality. He's kissing
Me on the chariot, that first time, and down
In his hall, at the table, catching sight
Of how I've doomed myself. What am I missing?
Memory takes me hard. I see. I fall.
The Department of the Interior
Lie down. No? Take a break. No? Take
A walk. Or take the whole day off. They name
These ways to banish this gray, troubling face
Of mine. Thank you, no more orange juice.
Taxidermy galleries keep watch
Along the main halls of this stony place.
Glass eyes watch me leaving, call me back.
The threadbare, hollowed presence of a moose--
In frozen, antlered choreography
With antlered others gathered round a lake
Of Teddy Roosevelt's contrivance--seems
To know that I'm accepting an excuse.
The terror in my heart has snapped awake,
To wild now for my staid days to encase.
Off Work Early in Washington, Necropolis of Columbia
I think I never saw the place before.
A tour guide's multitude of griefless mourners
Glides through ornamental empty tombs.
Sepulchral city, where the living call
On dead names, and are not nourished by their sound.
The humble or unknown ones lost to war
Are all these markers know of public grief.
Where are this city's own dead, far from all
the clicks of somber flash photography?
The soldiers' hill across Potomac looms.
Its regiments of stars and crosses echoes
Names and names cut into a black wall--
With presidential specters by the score
Gone separately to their common dooms.
Persephone's Ascent to the Underworld,
via the Washington Monument
This time I'll get to the bottom of things. I know
Better than to go there on his terms,
And down would mire me in the buried river
L'Enfant didn't want among his domes.
The Tiber makes a messy marsh of things,
But I can't hold this pain and wait to go
Until he comes to steal me in the fall.
The ghastly marble Monument rises, looms
Above me, and I see the way to take.
Remembering him now, I know he'll never
Expect me at his borders from below.
Over the general's tower, the sky foams.
The marble stairs above the final row
Of monumental blocks open and shiver.
A Guide Arrives, Mighty in the Three Worlds
I see her shadowing toward me--here is one
I ought to know. I used to know. Her palm
Is marked in three deep lines converging,
Held out to me in welcome or demand.
Here inside the marble tower's height
Her silence chills me. Beams of dusty sun
Fall through blunt windows. What do I do next?
Impatiently she shows again her hand.
And then I know her--red-cloaked Hecate,
Her three roads joined, and time at last is surging
Through me. She will take me underneath
My life, my death, down into Hades's land,
Where she is fearless. No chance now to run,
To turn back. No. Her silence is her urging.
Hades Would Bar Her Path
You're here, you're mine, and I will send you back
When I am good and done with you, you whore.
What do you think you're doing? You can't knock
A season early at my deadly door,
Barge in to pack your things and just walk out
Whichever way you please. This is my place.
You are my woman. Don't you dare to shout
At me. I am the King of the Dead. My face
Is in your eyes forever. You can't get
Away, you can't get past, you can't get through
Or call for help, so keep your damn mouth shut.
I'm everywhere you go. I'm even you.
All you're taking back is this one thing:
The bitter burden of my longed-for spring.
Hades Cannot Face the Heart of Rage
Just when he thinks he's broken me again
I reach into my chest, nails through the skin,
Then fingers, thumb and wrist. I draw my curse
Out of myself. My heart, bright in my hand,
Is rage-white, clean as daylight, burns without
Consuming. He is trembling, blinded, worse,
Is cowering behind his throne, but I
See clear. The cave into the deeper land,
The world below the Kingdom of the Dead
Shows black where I had thought I saw the stain
Of pomegranate blood. My heart is searing.
I cannot hold this light as I descend.
Through the black, my rage still shines, though wan,
Wrapped in a paper napkin in my purse.
Climbing Down to Light, Persephone
Contemplates the Absurdity of Her Clothes
He always feared this place. I fear it too.
My heart's white rage illumines just itself.
This could be worse than what I left above,
And I am blind here. Fingers spreading wide,
I step a tiny step into the gulf
Of blackness, boundless though I feel the wall
Of smooth-worn stone is cool against my hand.
I lean too far, and soon begin to slide.
My feet fly out from under me. There's time
To think of my high heels before the cave
Rises to meet my sprawl. Here I am, still
In my work clothes, hose and all. My side
Aches, but I think I catch a distant view
Of light in branches, moving and alive.
Persephone Examines the King Stag
He faintly smells of roasted venison.
His hide is scarred in crazy-quilted shapes
Of shoes, bookbindings, drumheads, healing small
And stitched together with stiff sinew threads.
A golden garland hangs around his neck,
Woven of chaff and straw. The grains are all
Threshed out. He comes to me and breathes me in.
My scent of rage and pain and mingled dreads
Confuses him. And I am puzzled too:
Caught rattling in his antlers is the sun.
It hovers like a helium balloon,
Small, hot, and smelling of a thousand breads.
Gentle king, beautiful eaten one,
He leaps back through the woods. I stand and call.
Pursuit, and an Unexpected Find
I follow through the forest, and I find
I'm not the only one who trails behind.
Two careful footprints leap across a stream
And land in spatters, bare and broad-set twins.
Water pools in the toes, but it would seem
Whoever left them stood here not long since.
A shadow in the trees drops, turns to dart
Toward the stag, then turns again to me,
All silent caution gone. Now I can see
My sister Artemis, arms flung broad apart
To welcome me and my pale blazing heart.
She'll take me where she's camped, we both agree.
Since falling I've been wandering lost and free,
Backward all this time to where I start.
A Festive Welcome
They all come out to greet me at the camp:
Vesta leaves off cooking at her stove,
A delicate propane item, well-designed;
Cerridwen and Brigid, very new
Acquaintances, embrace me. They've been tending
A black, enormous cauldron, boiling-brined.
Inanna, Queen of Heaven, and Aretha,
Queen of Soul, are pleased to have me, too.
My sister points my eyes up to the roof.
Amaterasu, hovering with her lamp
Above the forest, waves and blows a kiss.
"Hon, we've been waiting all this time for you,"
My sister says, and starts us with a stamp.
"Into the cauldron with you. Do you mind?"
Having Had a Hard Day Already,
Persephone Prevaricates about Being Cooked
But maybe I do mind. The trouble is
My heart is starting to consume itself.
I am already burning, and I want
To tell my friends the story. I'm afraid
To tell my friends the story. Wicked heart,
It burns through all its wrappings, and I can't
Carry it any farther. Brigid comes
To hold me, and my fear begins to fade.
I stand there in my burning clothes and weep.
I think I'll fall to ash soon. Maybe this
Is the best end I can hope for. Not so bad,
But what an inconvenient mess I've made
For all these goddesses. Good old Artemis
Pitches me in the pot and chants her chant.
Persephone Finds the Center of Her Grief
This poem is a still, white, empty room.
My footsteps echo on the dusty floor.
In this room, my muscles need not tense.
No one comes. There is no door to pull.
This poem is where I cannot be hurt.
Gardenia fills the air. No more the scents
Of isopropyl, iodine, and salt.
The air is cool. The air is very still.
This poem cannot hold me in. Some voice,
Some sting, some brighter light, my mother's comb,
Through lank hair pulls me back into the weight.
This poem is the quiet heart of hell,
Eye of the spinning storm, the whorling bloom,
Chill focus of an all-igniting lens.
Demeter and Zeus, Having Forgotten How to Keen
I thought she'd halt the world, she was so strong.
I thought my father king of all the gods,
But they were broken, too. I longed to blame
Them for the many half-years I spent dead.
I was She Whom All Recourse Had Failed,
And just as happy to forget my name.
But they were both so silent in their grief,
I never realized how my pain had spread
And merged with theirs, how all of us
Had differently taught ourselves to fawn
On Him Who Killed Me. Drinking in my heart,
I hear again the last thing that she said
Before I vanished: "This cannot go on.
How is it that it goes on all the same?"
Persephone Emerges from the Cauldron
I wake to valerian and betony
Steaming with me in the cauldron's brine.
Inanna lifts me from the iron sea
And towels me dry to see that I am fine.
Amaterasu holds her mirror up,
And I can see my face has now no sign
Of terror in it. Vesta holds a cup
Of venison broth, and then a cup of wine
For me to smell, and then for me to sip.
Aretha's coming with me to the world
Above. We can get by without a map.
I kiss my sister, take the banner furled
At camp's edge, where I pause to give
Thanks that I rise again from death and live.
The Rescue Mission
"Try this on," she says. "It ought to fit."
Artemis hands me a flowing deerskin robe,
Heavy but supple, dyed a joyful red.
I slide it on, and she pulls up the cowl
To shade my face. It's just a bit too big,
But fine for where we're going. I admit,
I'm just as glad to travel in disguise
Through Hades's kingdom. He'll let loose a howl
When he finds out we've led the dead away
To hope and haunting up above instead
Of waiting for nothing in his endless gray.
The white rose banner opens bright. I growl.
Aretha sings a lively Motown hit,
And so we climb to gather up the dead.
Aretha's Incantation
The Mended Queen is climbing, come to comfort all her dead.
The Mended Queen is climbing, come to comfort all her dead.
You done her wrong, Old Hades. Better cover up your head.
The shadows by the river hardly see her where she stands.
The shadows by the river hardly see her where she stands,
Until the spring of memory rises, pouring from her open hands.
She calls them and they follow. No one needs a backward glance.
She calls them and they follow. No one needs a backward glance.
That three-headed dog would join them if he thought he stood a chance.
Hear folks calling up on U Street, calling, "Bring that song back home."
Hear folks calling up on U Street, calling, "Bring that song back home--
And bring that choir of haunts back with you. Ain't the same since
they've been gone."
Yesterday we sang a blue song, but today we sing of love.
Yesterday we sang a blue song, but today we sing of love.
Surfacing at the Dupont Circle Metro Station,
Persephone Anticipates
We reach the subway tracks. At last we strike
Air of the upper world and breathe it deep.
We mount the escalator, a tumbling mass
Under the gleaming flag of my white rose.
We'll meet the living soon, Aretha notes.
From café windows, sipping demitasse
They'll see us, and they'll weep with awe and hope.
In summer wind the Circle's fountain blows
A mist around our coming. Three bicycle
Couriers, one bewildered leatherdyke,
And a beggar are the first to see us rise,
And then a startled family of crows.
The station's marble mouth gleams white, and like
A rose, it opens for the dead to pass.